College girls dressed as hookers for a sorority initiation ceremony are kidnapped by pimps.

City of Angels is a 1976 television series created by Stephen J. Cannell and Roy Huggins, who had previously worked together on The Rockford Files. American mystery novelist Max Allan Collins has called City of Angels "the best private eye series ever."

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The story revolves around a woman named Anna Brookes who works with the military to hunt and take down Supernatural beings that were left behind after a world changing event scarred half of Lion City.

Los Angeles provides a dazzling landscape built on the hopes and dreams of those who risked everything for their shot in show business but demons also dwell in the City of Angels, lurking beneath the glitz and glamour are cold-blooded killers and shocking crime scenes.

Russians will survive everywhere. And in the desert, and at the bottom of the sea, and in America. They will learn everything and they can teach the Americans a lot ... For example, how to catch criminals. Russian investigator Andrei Somov fell in love with an American dancer and moved with her to America for permanent residence. He wanted to work in the police, but he was not hired. Therefore, he has to wash dishes, look after the sick, clean, wash, walk other people's dogs, cook. But his dream of becoming a detective is coming true: he becomes the best detective in Los Angeles. Each episode of the film has its own plot.

Jack Deth, the super cop from the future, has put away three centuries worth of time traveling criminals. But Deth's most dangerous collar, the ultraviolent assassin Edlin Shock, has escaped from her maximum security holding cell and won't rest until she's exacted revenge. Meanwhile, Deth is trying to make a life for himself as a private eye in 1988 Los Angeles with his hot-blooded girlfriend Lena. Relationship troubles are just the beginning of Deth's problems when he learns that Edlin Shock has followed him back in time.

"Night City Angels", featuring the wonderful music of Michael Kamen, is about a troubled young woman and her guardian angel, Amelia Earhart (whom only she can see, of course). Amelia is a member of an ad hoc committee, composed of Harriet Tubman, Joan of Arc, Daddy Bigbucks and Aristotle, to do something about other angels that do nothing but sit around and play their harps all day.

Documentary, poetry and essay rolled into one, this compilation of stockshots and clips sourced from NFB productions of the '50s and '60s offers a singular lesson in Montreal history - its famous figures, symbolic places, and ordinary citizens. Without commentary, the film moves from the red light district to Jean Drapeau, the Jacques-Cartier market, department stores downtown, textile factories, and the construction of Place Ville-Marie. We meet Geneviève Bujold, Oscar Peterson, Monique Mercure, and Igor Stravinsky. We hear Raymond Lévesque, Jean Drapeau, and René Lecavalier.

Over the years, the monthly meetings of the Stew Club – a fraternity that has gathered seven long-time friends for decades – has gone from rituals of power to melancholic failure assemblies. The end would be its only worthy fate. Until a mysterious cook appears, and starts serving them magnificent feasts. The bonds of friendship are back, gluttony as a celebration of life. But there is a catch: after each dinner, a member of the brotherhood is found dead the next morning.